Learn How to Draw Part 3 (of 6) - Learn Drawing the POSItive Way

One of the most important things to learn when learning to draw is understanding the process almost every artist uses to fill a blank sheet of paper with more and more lines until she finished the drawing. Although seemingly complicated this process consists of several separate tasks.

Most artists follow intuitively these separate tasks step-by-step in the right order. Unfortunately when starting to learn drawing, you lack the experience to follow this strategy by instinct. But instead of waiting for the necessary experience, you can use the following shortcut.

I created a system around this process most artists understand and follow intuitively. It consists of four steps:

  • Placement
  • Outlines
  • Shapes
  • Illumination.

These four steps are quite simple and follow the common process to create a drawing. I abbreviated this system P-O-S-I - a POSItive way to learn drawing.

So let's get started:

1. Placement of Objects in Your Drawing

Image
This is the first step. Have a look at the whole scene, identify the different objects in the scene and try to understand the scene. Focus on the different objects' locations and their position relative to one another. Finally if you think your understanding of the scene is good enough, mark on your paper where you want to place the different objects.

Try to be as accurate as possible unless you already have some competence in the art of composition. Advanced artists know how to alter the scene for a stronger impression without disturbing realism at the same time.

2. Drawing Outlines of the Different Objects

Image
Now you know where to place the objects it is time to sketch them as simple outlines. Look carefully at each part of the scenery and try to understand its form and outline. Then draw its outline - only the silhouette - in a few light lines. Limit yourself to the outer lines of each object. Repeat this step for every object in the scene. Ideally you start with objects in the background and continue to the foreground parts.

After finishing the outline of the whole scene this way, it is time to have a final judging look (but not too judging tough!). Now it is still easy to reposition any object or to correct one or another line. But don't be excessively critical and keep in mind: every good drawing lives from slight deviations.

3. Draw the Shape of the Different Parts

Image
Now it is time to turn our attention to the objects' shapes. Begin to add the internal structures of the scene's parts with few and fine lines. Place strokes in the right directions to follow and form the shape of the parts of every object.

For curved objects use curved lines and in flat sections use straight lines. But still limit you to few and light lines. Just try to get the shapes right. As there are still only thin lines on the paper you have still the opportunity to correct a line here and there.

Finally your picture has gained a stronger perspective and three-dimensional appearance. Time to fill out the white spaces and complete your drawing!
 

4. Illuminate your Drawing

Image
Until now we only worked on laying out the scene using light lines. Sketching the outlines and shapes of all objects in the scene we created a line drawing that depicts the scenes outlook reliably.

But for creating realism something is missing: texture, light and shadow. In this final step we will fill in these elements that give volume to our drawing and finally make it look realistic. So in this step our opportunities for creating a great drawing are great but also is the risk of damaging it beyond repair.

What to do? Again look carefully at each part of the scene. Note how light and shadow fall on it, how its surfaces are textured and what the colors look like. Most important is the surface - because even if a surface is all one color, its structure and texture creates different shades.

The same applies to shadows. Look how the objects cast shadows on themselves and on objects around them. Add these shadows by first drawing their outline, correcting and perfecting it and then filling it with darker tones.
When adding all the shades and textures to your drawing always try to work from the background to the foreground. While doing this go from brighter tones and weak contrasts in the background to strong tones and contrasts in the foreground. This creates a stronger three-dimensionality.

With this final step you finished you drawing. Go one step back and enjoy. And keep in mind: if the little critic in you comes to life, put your drawing away, the more you will enjoy it in a few months!




Enjoyed this article? Share, spread the word and bookmark it:
Digg!Reddit!Del.icio.us!Slashdot!StumbleUpon!Newsvine!Fark!Yahoo!Squidoo!Free social bookmarking plugins and extensions for Joomla! websites!
Comments
Add New Search
jc  - the lessons   |:
these r great. and now i do understand , what i have been doing wrong, hope to
be involved more , and i p[lan on doing more of this, i do have one question,
now ccan this apply to a piture,like i try to draw from pics from books enternet
and what ever do i have to imagan the deap and the shadows, or am i not seeing
them , thnaks judy
thembelani kwaza  - comment   |:
i realy like your learsons ,i mearn
every learson.do you have have any

private classes i would like to be your student plz let me know.
alex  - easy   |:
thank for the help
alex  - easy   |:
thank for the help you little b and yes it is the bad word okay
Ruediger  - drawing shadows   |:
Hi Phil,

thanks for your great advice. That's exactly what anyone should do
who wants to study shadows to draw them.

Shadows are much larger (thus
showing more details) when the sun is low on the sky.

Happy drawing
Ruediger
Phil   |:
hi, a suggestion for shadows, I'm a student for a while; decide from which way ,
the left or right the sun is hitting objects, or buildings;and casting a shadow
, watching shadows in late afternoon you can see shadows much better (or
morning). At noon it's much harder to see shadows as the sun is right overhead.
this practice should help. best to all students.
Grace  - no money....   |:
i really love the way you teach art....n i want to learn more..but i have no
money to pay for your book "27 Tested Steps to Drawing Mastery"...what
should i do??
Lina  - Hello   |:
well I'm amazed about everything I get from you. every tip is just..well I don't
think i have words that will suit it. It's realy spectacular. I love drowing and
your tips give me some good advices. THANK YOU VVEERRYY MMUUCCHH......
kingdave  - wonderful   |:
Am really amazed. And that is great. I love it.
Nihal   |:
Mr Ruediger

Hallo you are providing easy and very helpfull tasks.

Thank
you
Write comment
Name:
Email:
 
Title:
 
 
Please input the anti-spam code that you can read in the image.

3.26 Copyright (C) 2008 Compojoom.com / Copyright (C) 2007 Alain Georgette / Copyright (C) 2006 Frantisek Hliva. All rights reserved."